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About this Event
Join Women Independent Producers for TALES FROM THE SET featuring producers Katie Mustard, (Otherhood, Restless City), Lisa Cortés (The Apollo, Precious), and Mynette Louie (Swallow, The Tale). Moderated by Rachel Watanabe-Batton (Travel Notes of a Geechee Girl).
Behind the glitz and glamour of Hollywood are the tough-as-nails producers who must pivot in any given situation, even a pandemic, to move their projects forward. In this entertaining educational series, watch as our panelists revisit past production moments that challenged and strengthened their resolve... and discover what it truly means to be a producer.
A Zoom link will be sent in advance to registered participants. Sign-up for this FREE online event, watch the trailer from our previous Tales below, and share with others. Capacity is limited.
Rachel Watanabe-Batton AB '89 founded Contradiction and Struggle to champion global stories that reframe history and culture, and connect cinema, causes and capital. She has produced film, tv and popular culture for over 20 years, working in creative development and physical production. Current projects include documentary Travel Notes of a Geechee Girl with filmmaker Julie Dash, which garnered a 2019 NEH Production Grant; and narrative series 1850 about mixing, migration and a pandemic. Her work has been supported by IFP Week, NEH, NEA, Black Public Media, Ford Foundation and Radcliffe. A longtime advocate of equity and inclusion, Rachel has spearheaded the CultureSHIFT intersectional anti-bias storytelling workshop, inter-guild readings, women’s industry mixers, festival celebrations, diversity summits and strategic creative impact partnerships. She programs and moderates in-depth conversations and screenings, and is represented by P.S. 314 Collective for media consulting. Mayor DeBlasio and NYC MOME Commissioner Lopez honored her with a MADE IN NY Award for her leadership as Producers Guild of America East Vice Chair, Diversity Chair (2008-2018) and co-founder of PGA Women’s Impact Network. Rachel serves as Chair of the Board of Manhattan Neighborhood Network (largest U.S. media access center), and on the NYWIFT Board of Directors, and is a co-founding board member of Women Independent Producers. She earned a B.A. from Harvard University in Visual Environmental Studies and Sociology.
Katie Mustard, named by Variety as one of the Top 10 Producers To Watch in 2014, is one of the leading producers in independent cinema. In 2018, Katie joined Netflix International as a Physical Production Executive leading production of Local Language Originals in Central Eastern Europe & Turkey. Katie graduated with Honors from The University of Southern California where she was the top of her class in the Cinema Critical Studies BA program. In 2004, Katie completed a masters program in International Producing in Israel where she began collaborations with producers from around the world. Katie has worked across continents filming in India, China, Nepal, Bulgaria, Romania, Canada, Turkey, Antarctica, Morocco, France, Italy and the UK. With 19 years of Production expertise and 9 films premiering at Sundance, Katie has an impressive resume of 40 feature films, 20 shorts, 3 feature documentaries, dozens of commercials, 10 TV series for Netflix International, and 2 virtual reality films. In 2014, Katie was selected as one of eight US producers for the TAP International Producing Fellowship and for the past 6 years, Katie has served as a Production Executive to the Venice Biennale Cinema Fund, which grants financing to 3 feature films per year across the globe. She is a member of the DGA, the PGA, Women Independent Producers, IFP and is represented by United Talent Agency. Katie currently lives in Amsterdam with her husband, daughter, and son.
Lisa Cortés is an award-winning film Producer and Director. The film Precious (2009), which she executive produced, received Audience Award and Grand Jury Prize for best drama. Marking the acting debut of Gabourey Sidibe, the film was nominated for six Academy Awards® and won two. 2019’s The Apollo, an HBO documentary, explores African American cultural and political history through the story of the legendary Apollo Theater. Her directorial debut, The Remix: Hip Hop X Fashion (2019), traces the impact of street fashion and African American creativity on global cultural trends and was recently released on Netflix. Cortés current project, Untitled Voting Rights documentary; co-directed with Liz Garbus and produced with Story Syndicate and Stacey Abrams will be released by Amazon Studios in the Fall of 2020. Her early career as a music executive was launched at the iconic Def Jam label and Rush Artist Management; she also was VP of A&R at Mercury Records, and founded the Loose Cannon label. Her film productions have received over 70 international awards and nominations. Cortés is a member of the Producers Branch of Academy of Motion Picture Arts and Sciences. She serves on the Boards of the Film Society of Lincoln Center, ITVS, Yaddo and the Trajal Harrell Dance Company. She is a graduate of Yale University.
Mynette Louie AB '97 is an Emmy-nominated, multiple Spirit Award-winning producer. Her credits include Heidi Ewing's I CARRY YOU WITH ME (Sundance 2020, Winner of NEXT Innovator and Audience Awards, Sony Pictures Classics), Carlo Mirabella-Davis' SWALLOW (Tribeca 2019, IFC Films, 23 festival awards), Jennifer Fox's THE TALE (Sundance 2018, HBO, Emmy/Golden Globe/Spirit Award nominee), Karyn Kusama's THE INVITATION (SXSW 2015, Drafthouse/Netflix), Martha Stephens’ & Aaron Katz’s LAND HO! (Sundance 2014, Sony Classics, Spirit Award Cassavetes winner), Tze Chun’s CHILDREN OF INVENTION (Sundance 2009), and Andrew Bujalski’s MUTUAL APPRECIATION (SXSW 2006). Mynette is on the Board of Directors for Film Independent and serves as an advisor to the Sundance Institute, SXSW, Tribeca, and IFP. She was named one of Business Insider's "12 Movie Producers at the Top of Their Game to Watch in 2020 and Beyond," Ted Hope's “21 Brave Thinkers of Truly Free Film,” and Indiewire's “100 Filmmakers to Follow on Twitter.” Mynette won the 2013 Independent Spirit Piaget Producers Award and is a member of the diversity committee in the Producers branch of the Academy of Motion Picture Arts and Sciences. A native New Yorker, Mynette graduated Phi Beta Kappa from Harvard, where she studied Chinese literature and film.
Founded in 2016, the collective WOMEN INDEPENDENT PRODUCERS, otherwise known as WIP, is an elite network of women producers based in New York City that supports, collaborates and promotes the work of its members. Our goal is to elevate the careers of our members, end the gender gap in Hollywood and get more female driven projects financed and distributed.
Follow us and stay tuned for more great events coming from WIP!
Messaging, Payments & Platforms – Beyond Social Media & Networking
With rapid changes in technology, and as the concept of money continues to evolve, how can Africans become producers and owners not just users and spectators?
Lucia Brawley AB '99 is a co-founder and the Chief Creative Officer of AMP Global Technologies and executive producer of two-time Interactive Emmy finalist, “Take Back the Mic: The World Cup of Hip Hop,” “The Mic: Africa,” and a project for Apple TV+.
She worked as an actress alongside talents like Viola Davis and Angela Bassett, and for world-class directors, including Oliver Stone and Barry Levinson. She was a political organizer for the Obama presidential campaigns, growing a team of 4 volunteers into 2,000 members and helping Obama win her congressional district by the largest margin in the California primary. A vocal advocate for arts education and other social justice issues, she is a regular contributor to national outlets including CNN.com and the Huffington Post, and earned a place atop CNN.com’s “Most Popular Op-Eds.” Lucia is a graduate of Harvard with a Master’s in Acting from the Yale School of Drama. She and her husband are proud parents to two vibrant little girls, ages 7 and 9.
More info here: https://theafricasoftpowerproject.com/#sessions
We are living in a tumultuous, political era. Institutions are being challenged in the film industry, as politics and art are resonant more than ever in an American reckoning from a gamut of causes–Police brutality and #blacklivesmatter; an attack against immigration and the scapegoating of the Other; First Peoples issues and rights being challenged right here in Hawai’i spearheaded by the Mauna Kea movement; and the disparity of wealth and class becoming more apparent via the COVID-19 pandemic, decimating all industries, especially the film and tv industry. In this panel we explore the current movement of Kānaka Maoli filmmakers who are fighting the good fight in telling their own stories in an ever-changing media landscape. Artistic practice, maintaining authenticity in the filmmaker’s perspective, and what protocols to follow in this “new normal” during a global pandemic will be hot button issues discussed in a time of massive structural change as we try to answer the question, “where do we go from here?” Hosted by HIFF Artistic Director, Anderson Le
PANELISTS: Donne Dawson (Hawai‘i State Film Commissioner), Justyn Ah Chong (DOWN ON THE SIDEWALK IN WAIKIKI), Leanne Ferrer (Pacific Islanders in Communications), Chris Kahunahana (WAIKIKI THE MOVIE), Ciara Lacy (OUT OF STATE, HIFF37 Made In Hawai‘i Grand Prize), Erin Lau (THE MOON AND THE NIGHT, HIFF38), Mynette Louie AB '97 (Producer of I CARRY YOU WITH ME, SWALLOW, NANCY, THE TALE), ʻĀina Paikai (HAWAIIAN SOUL), Ty Sanga (HAE HAWAI‘I, STONES)
Harvardwood is hiring! We are looking to bring on board an enthusiastic, motivated, entrepreneurial individual to assume the role of Programs & Administrator Coordinator for our highly dynamic and growing organization. This paid position will be part-time to start (25 hours/week), with the possibility of additional hours or eventual full-time employment, depending on performance.
We're gearing up for the Fall 2020 semester of our flagship Harvardwood Writers Program! If you're a TV writer based in Los Angeles, dust off that sample and get it in shape to submit. The TV Modules will begin meeting in mid-September and run through December/January 2021, exact dates TBD.