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  • Upcoming events

    Harvardwood Presents Prof. Stephanie Burt: What Makes a Good Superhero Story?

    Tuesday, June 02, 2020 at 03:00 PM · $10.00 USD
    Online

    Superheroes can work so well for movies now because movie effects have caught up to heroes' great powers, and because people who grew up on comics often write the movies. But what made the comics popular in the first place? Among the myriad and mostly forgettable stories of capes, punches and derring-do, which ones stuck in readers' memories, and why? Stephanie will ask why superhero stories—and which superhero stories—work best, and for whom. She'll talk about who identifies with superheroes, and why, and what those identifications have to do with being, or feeling like, a minority; why superhero stories so often seem, to fans, political but not  political enough; and why—even if you're there for the romance and character—superhero stories may require big long fights.

    RSVP to attend this virtual talk by 12pm PT on June 1, 2020.

    “Burt is one of the leading poet-critics of her own emerging generation, turning out an astonishing amount of terrific review-based criticism.”  —Publishers Weekly

    Stephanie Burt is a poet, literary critic, and professor with eight published books, including two critical books on poetry and three poetry collections. Her essay collection Close Calls with Nonsense (Graywolf Press, 2009) was a finalist for the National Book Critics Circle Award. Her next poetry collection is Advice from the Lights: Poems (Graywolf, 2017). Her other works include Don’t Read Poetry (Basic Books, 2019); The Poem is You: 60 Contemporary American Poems and How to Read Them (Harvard UP, 2016); Belmont (2013); The Art of the Sonnet (Harvard University Press, 2010); Something Understood: Essays and Poetry for Helen Vendler (University of Virginia Press, 2009); The Forms of Youth: Adolescence and 20th Century Poetry (Columbia University Press, 2007); Parallel Play: Poems (Graywolf, 2006); Randall Jarrell on W. H. Auden (University Press, 2005); Randall Jarrell and His Age (Columbia University Press, 2002); and Popular Music (Center for Literary Publishing, 1999).

    Burt grew up around Washington, DC, and received an A.B. from Harvard in 1994 and a Ph.D. in English from Yale in 2000. She taught at Macalester College for several years before becoming a professor of English at Harvard University.

    The New York Times called Burt “one of the most influential poetry critics of her generation.” The recipient of a 2016 Guggenheim Fellowship, her writing has appeared in the New York Times Book Review, the London Review of Books, the Times Literary Supplement, the Believer, and the Boston Review.


    Register for this event at the link below. Harvardwood members, friends, and non-members are ALL welcome, but every attendee must register for themselves individually. So if you're inviting others to join you for this panel, please forward them the link to this page so they can sign themselves up. Thank you!

    Members, Register Here

    Purchase ticket   $5.00 Members & Friends

    If you can't access the RSVP button for dues-paying Harvardwood members, make 
    sure you're logged in. If you still have issues accessing the page, your membership 
    has lapsed, so renew your dues as a Full Member or Friend of Harvardwood.

    Harvardwood Co-Hosts A TIME TO LEAD: Featuring Abigail Hing Wen AB '99, Lea Salonga, and Cecilia Mejia

    Wednesday, June 03, 2020 at 07:00 PM
    Online

    Join Lea Salonga, Cecilia Mejia, and NY Times best-selling author Abigail Hing Wen AB '99 as they share perspectives on utilizing their platforms as leaders in the arts and entertainment industry to activate the API community around important social issues like immigration and humanitarian efforts.

    Lea Salonga

    Multiple award-winning actress and singer Lea Salonga is renown across the world for her powerful voice and perfect pitch.  She is best known for her Tony Award winning role in Miss Saigon. In addition to the Tony, she has won the Olivier, Drama Desk, Outer Critics Circle and Theatre World Awards, in the field of musical theatre. She was also the first Asian to play Eponine in the musical Les Misérables on Broadway and returned to the beloved show as Fantine in the 2006 revival. Many fans of all ages recognize Lea as the singing voice of Princess Jasmine from Aladdin and Fa Mulan for Mulan and Mulan II. For her portrayal of the beloved princesses, the Walt Disney Company bestowed her with the honor of “Disney Legend”.

    Cecilia R. Mejia

    Cecilia R. Mejia is a first-generation Filipino-American born and raised in Brooklyn, New York. She has worked in development for non-profit organizations, including NGOs at the United Nations. She has a master’s degree in Public Administration and Affairs and is a graduate of the Columbia Business School’s Emerging Nonprofit Leaders Program. She’s worked with several grassroots organizations focusing on underrepresented communities, which led to her working in film. Cecilia has produced a number of short films focusing on critical social impact issues. She’s the lead producer of the upcoming Sony-acquired feature film Yellow Rose, a Social Impact Producer of the award-winning doc Call Her Ganda (TIFF 2018), and Co-Producer for Lingua Franca (Tribeca All-Access 2019). Cecilia is combining her love of film and social impact work with under-resourced youth through her non-profit organization Art of Me as the Creative Director. She was recently featured in Forbes Magazine for her work.

    Abigail Hing Wen

    Abigail Hing Wen, who works in VC and AI in Silicon Valley, released her book, Loveboat, Taipei in January this year. The novel hit the NY Times Best Seller list and has recently been optioned for film in Hollywood by ACE Entertainment (To All the Boys I've Loved Before). The story is a young adult Crazy Rich Asians meets a Jane Austen Comedy of Manners, inspired by the actual cultural exchange program in Taipei attended by many Asian American teens since the 1960s. The romp is woven through with an immigrant girl’s coming-of-age story, of navigating family complexities, discovering identity in all its facets and finding love. Abigail is serving as an executive producer for the book-to-film adaptation.

    Screen_Shot_2020-05-21_at_2.08.12_PM.pngEvent Format:

    • June 3, 7pm-8:30pm PDT / 10pm-11:30 pm EDT / June 4, 10am-11:30am Manila Time
    • 60-min Panel moderated by Abigail Hing Wen
    • 30-min Audience Q&A

    Harvardwood Social Impact: A Conversation with Julie Corman

    Thursday, June 04, 2020 at 04:00 PM · $5.00 USD
    Online
    From the Skoll State of Social Impact Entertainment report: “As a vehicle for storytellers, artists and visionaries for over a century, narrative film has rapidly become one of the most influential mediums of the modern age.” For the inaugural event of Harvardwood's Social Impact Initiative, we’d like to welcome producer Julie Corman.

    Hosted by Gene Pao MBA '97, Harvardwood’s Director of Social Impact, Julie will walk us through her 50 years of filmmaking and her approach to incorporating social impact themes and messaging into her works.

    Julie Corman

    Veteran producer Julie Corman has produced over 30 films. She has worked with noted talents: Martin Scorsese, Jonathan Demme, John Sayles, Monte Hellman, Martin Sheen, Charles Grodin, RayWalston, Diane Ladd, Phil Hartman, Jon Lovitz, Jonathan Kaplan, Jason Priestley, Barbara Hershey and Mario van Peebles. She has never lost money on a film.

    Her first feature producing credit was on BOXCAR BERTHA, directed by Martin Scorsese, starring David Carradine and Barbara Hershey. She went on to produce MOVING VIOLATION, starring Kay Lenz and Eddie Albert; CRAZY MAMA, directed by Jonathan Demme, starring Cloris Leachman, Jim Backus, Stuart Whitman and Ann Sothern (chosen as the U.S. entry in the Edinburgh Film Festival); THE LADY IN RED, written by John Sayles, starring Robert Conrad and Pamela Sue Martin (chosen as the U.S. entry at the Deauville Film Festival); SATURDAY THE 14TH, starring Richard Benjamin, Paula Prentiss and Jeffrey Tambor; and DA, starring Barnard Hughes and Martin Sheen, based on the Tony award-winning play.

    In the 1970’s Corman and her husband, film legend Roger Corman’s New World Pictures became one of the most successful independent production and distribution companies in the film industry. The company produced and distributed over 200 feature films, in addition to distributing a prestigious slate of international films by such acclaimed directors as Francois Truffaut, Ingmar Bergman, Volker Schlondorff (whose TIN DRUM won the Academy Award for Best Foreign Film), Federico Fellini and Akira Kurosawa.

    After the sale of New World Pictures (the name and the going concern only) in 1983, the Cormans founded a new production and distribution company, New Horizons Picture Corporation, which has proved even more prolific than its predecessor. The library of Corman films now exceeds 450.

    Julie Corman has produced family films under her Trinity Pictures label. The Academy of Family Film and Television named her “Producer of the Year” in 1996. A CRY IN THE WILD is based on Gary Paulsen’s Newbery award winning novel, HATCHET; and THE WESTING GAME is based on Ellen Raskin’s Newbery award winning novel of the same name.

    Corman has produced several other family films: THE DIRT BIKE KID, starring Peter Billingsley; MAX IS MISSING, shot at Machu Picchu in Peru and LEGEND OF THE LOST TOMB, based on Walter Dean Myers’ book “Tales of a Dead King” and shot in Egypt.  Following on the success of A CRY IN THE WILD she made a series of wilderness films: WHITE WOLVES; A CRY IN THE WILD II, starring Mark Paul Gosselaar and WHITE WOLVESII: LEGEND OF THE WILD, starring Elizabeth Berkley, Corin Nemec, Justin Whalin and Jeremy London.

    In 2000 Corman became Chair of the Graduate Film Department at NYU in the Maurice Kanbar Institute of Film and Television. While there Corman executive produced a series of short films by NYU film students, REFLECTIONS FROM GROUND ZERO, based on the students’ 9/11 experiences. The films aired on Showtime.

    Most recently Corman has produced a series of "creature" films for the Syfy Channel with her husband, Roger, most notably the “Sharktopus” series. She executive produced "Death Race 2080". She is currently in development on a remake of "The Westing Game" by Ellen Raskin.

    Corman is a member of: The Academy of Motion Picture Arts and Sciences, Women in Film and the International Women’s Forum. She has given numerous film seminars at NYU, UCLA, USC, UPenn, Yale, Duke, and Sundance. In 2012, she gave lectures in Japan at Rikkyo University and Nihon Eiga (the Japanese Institute of the Moving Image). She has received career achievement awards from USC’s School of Cinematic Arts and Fantastic Fest in Austin, Texas and was given the Indy Pioneer Award at the Kansas City Filmmakers Jubilee. She has been on the jury or chaired the jury of numerous film festivals.

    Corman was commencement speaker in 2010 for the UCLA (her alma mater) English Department, where she is a visiting professor in creative writing.

    The Cormans have reared four children in Los Angeles and tended to a farm in the San Joaquin Valley that contracted with Cesar Chavez and the United Farm Workers.


    Register for this event at the link below. Harvardwood members, friends, and non-members are ALL welcome, but every attendee must register for themselves individually. So if you're inviting others to join you for this panel, please forward them the link to this page so they can sign themselves up. Thank you!

    Members, Register Here

    Registration   Free

    If you can't access the RSVP button for dues-paying Harvardwood members, make 
    sure you're logged in. If you still have issues accessing the page, your membership 
    has lapsed, so renew your dues as a Full Member or Friend of Harvardwood.


  • NOW LIVE: The Harvardwood Summer Certificate Program

    In response to the COVID-19 outbreak, the Harvardwood Summer Certificate Program has been designed to capture many of the educational, professional, and social benefits of our traditional internship program. We are excited to offer even greater access to opportunities for students and recent grads in any location to work on virtual projects at home, and attend exclusive seminars from some of our most accomplished alumni in entertainment this summer.

    Continue reading →

    Harvardwood's music video tribute to the Class of 2020

    Harvardwood musicians, let's get together and create a “Playing for Change”-style music video tribute to celebrate the Class of 2020!  

    If you're interested in participating as a musician, please complete the form below. All instruments (including vocals) are welcome; we’ll work it in if we can!

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  • Issue 184 | May 2020

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    Issue 183 | April 2020

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