Company: DreamWorks TV
Location: Glendale, CA
Type of Position: Full-Time
Minimum Education Level: N/A
Minimum Years of Experience: Minimum 1 year of previous TV animation production experience.

Job Description: DreamWorks Animation is looking for more adventurous dreamers who shoot for the moon. We tell stories about the journeys our unconventional heroes take to make dreams come true. As a growth-minded studio, we pride ourselves on being one of the world’s leading producers of high-quality, award-winning, animated films and series, reaching consumers around the globe. We push to feel more, laugh more, and build immersive new worlds. DreamWorks creates a diverse array of original content in a variety of formats, delivering compelling stories with unique characters. We place tremendous value on the experiences our talent brings to the table from their own non-traditional paths to success. We believe in frequent communication and that transparency and trust yield the best work. We are a community of artists, technologists, innovators, and creators, who are passionate about animation and also happen to love eating lunch together. The Script Coordinator is responsible for coordinating the day-to-day production workflow for writing staff.

Company: Endeavor
Location: Beverly Hills, CA
Type of Position: Full-Time
Minimum Education Level: N/A
Minimum Years of Experience: Previous talent agency experience strongly preferred

Job Description: Administrative Assistant, ECTV. Endeavor Content is a global leader in the production, financing and sales of premium film, television, and audio content. The studio produces TV series such as See and Truth Be Told on Apple TV+ and Nine Perfect Strangers for Hulu, Severance for Apple TV+ and Tokyo Vice for HBO Max.  Endeavor Content also handles distribution for hit series including Killing Eve, Normal People and The Night Manager. Endeavor Content is a division of Endeavor, a global entertainment, sports and content company

Company: DreamWorks
Location: Glendale, CA
Type of Position: Full-Time
Minimum Education Level: Bachelor's degree preferred
Minimum Years of Experience: Previous internship/experience in CG animation production preferred

Job Description: At DreamWorks Animation Television, our General Production Assistant supports the Line Producer and Production Manager to meet the various administrative needs of animation production.  

Company: NBCUniversal
Location: New York, NY
Start Date:
Type of Position: Full-Time
Minimum Education Level: Bachelor's
Minimum Years of Experience: 1 year

Job Description: 

• Assist in creating and assembling script for the show

• Copy and distribute show related paperwork to proper departments

• Track script changes with writers and production departments

• Provide as broadcast scripts and rundowns

Company: Creative Artists Agency
Location: Los Angeles, CA
Start Date:
Type of Position: Full-Time
Minimum Education Level: Bachelor's
Minimum Years of Experience: 10 months

Job Description: The Assistant will provide support to an Agent in CAA’s Television Scripted Department representing directors, producers, writers and showrunners within the international space, most specifically in Latin America. The Assistant will also work closely with various departments across the agency (such as Accounting and Business Affairs). The ideal candidate will have a passion for scripted television and artist representation in the entertainment business. Additionally, the Assistant is administratively capable of handling a high volume of tasks with ability to clearly communicate with Agents, Executives, clients, etc.

Company: Paramount Television Studios
Location: Los Angeles, CA
Start Date:
Type of Position: Full-Time
Minimum Education Level: Bachelor's
Minimum Years of Experience: 2 years

Job Description: Are you seeking a role in TV Production? Then the Coordinator, TV Production supporting the Vice President, Television Production is for you!

• Serves as liaison between Production, Development, Business Affairs and Finance

• Drafts and prepares Deal Memos, presentations and other widely distributed documents

• Creates and maintains Status Report for all projects in pre-production, Production and Post Production

• Researches market trends and budgets and keeps updated list of competitors’ budget numbers

• Tracks Line Producers and other key department heads

• Distributes mail and maintain office supplies

• Manages calendar and schedules/coordinates daily meetings and appointments

• Arranges complex travel plans and itineraries, compile documents for travel-related meetings, and accompany supervisor when requested

• Answers and screens a high volume of phone calls and email, taking action when appropriate and following up

• Arranges programs, events, or conferences by arranging for facilities, issuing information or invitations, coordinating speakers, and controlling event budget

• Directs preparation of records such as agenda, notices, minutes, and resolutions for corporate meetings

• Acts as custodian of corporate documents and records

• Composes and prepare confidential correspondence, reports, and other documents such as expense reports

• Creates and maintains databases and spreadsheet files

Company: Bustle
Location: Remote
Start Date: 
Type of Position: Part-Time
Minimum Education Level:
Minimum Years of Experience: 2 years

Job Description: Bustle is seeking a remote, part-time TV Writer to contribute to the site's Entertainment vertical at least two days per week. Writers should have extensive knowledge of pop culture, strong news judgment and voice, and the ability to write quickly and cleanly. Writers will have an opportunity to write about all kinds of television, including true crime, dramas, genre shows, reality TV, and comedies.

Company: The Verge
Location: Remote
Start Date: 
Type of Position:  
Minimum Education Level: 
Minimum Years of Experience: 

Job Description: We’re looking for a talented editor/writer to run The Verge’s TV/film section. As the TV/film editor, you’ll define what The Verge’s coverage looks like in a space where things are changing every day. You’ll help readers understand how the streaming business impacts the TV/film that gets made, how it’s distributed, and what it means for the future of the medium. But just as crucially, you’ll be the guiding hand that lets people know what to watch in a world with an overwhelming number of choices.

On a day-to-day basis, this means planning, commissioning, editing business stories, cultural criticism, and news hits; working with a team of reporters and freelancers; and writing the occasional story. You’ll be a part of The Verge newsroom, one that prides itself on its balance of speed and ambition, collaborative energy, and emphasis on inclusivity. A great editor has the patience to develop junior writers, and the strength to push and elevate seasoned ones.

Company: NBCUniversal
Location: New York, NY
Start Date:
Type of Position: Full-Time
Minimum Education Level: Bachelor's
Minimum Years of Experience: 1 year

Job Description: The USA & SYFY Content Strategy team is looking for a creative, analytical and dynamic candidate with a deep passion for television and film. As the Program Scheduling Coordinator, you will support the Scheduling department as it plans and creates the content plans for the USA and SYFY linear networks. You will be responsible for tracking programming performance, assisting the team in pivoting content plans, ensuring all programming info is input and maintained in our scheduling system, and brainstorming stunts and creative ideas to drive ratings for both networks.

Company: Ink Factory / Character 7 Films
Location: Los Angeles, CA
Start Date: immediate
Type of Position: 
Minimum Education Level:
Minimum Years of Experience:

Job Description: Los Angeles film and tv production companies looking for efficient and observant readers. The Ink Factory and Character 7 Films both opened their doors in London, but have more recently expanded into Los Angeles. Known for character-strong narratives surrounded by a world of espionage and political intrigue, both companies receive several book and script submissions which need a well-tuned eye to find potential cinematic value. Readers must provide detailed coverage on these submissions, including a complete summary and thoughtful commentary on the material.