September 2021 | Jaime Dávila AB '07

Jaime Dávila AB '07 is the President of Campanario Entertainment, a prolific source of multilingual content and a production bridge between the U.S. and Latin America. He has various projects in development including Bridges, a multi-generational series to be produced in partnership with Eva Longoria’s UnbelieEVAble Entertainment at ABC. Dávila holds a Master of Science degree in Latin American Studies from the University of Oxford and a Bachelor of Arts degree from Harvard University. 

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written by Sophie Kim '24

Jaime Dávila is bringing diverse Latinx stories to the screen. Dávila is the founder and President of Campanario Entertainment, a Los Angeles-based production company that develops content by and for the Latinx community. Dávila founded the company in 2013 in order to address the lack of Latinx representation on-screen. With an authenticity to its Latinx roots and appeal for mainstream audiences, Dávila’s work includes Selena: The Series (a biography about Tejana star Selena Quintanilla) on Netflix, Mexican Dynasties on Bravo, immigration documentary Camelia la Texana for Telemundo and Netflix, the dramedy Como Sobrevivir Soltero, and the family separation and immigration documentary Colossus.

Dávila’s experiences at Harvard inspired him to pursue a career in entertainment. Being part of the Hasty Pudding Theatricals’ tech crew and helping to create theater productions from scratch was a highlight of his college experience. “I loved that you could work together with a bunch of people, have nothing, and then by the end of a few months have an entire show, it was just so cool,” Dávila said. After graduation, Dávila initially pursued graduate school. However, he was inspired by friends who moved to Los Angeles to start careers in Hollywood. After a year of graduate school, he moved to Los Angeles himself, and started working as an assistant. 

Dávila founded Campanario Entertainment in order to not just address the lack of Latinx representation in the media, but to bring Latinx stories to the mainstream. “This majority/minority thing is just not true, we’re already living in a multicultural America, and Latinos, Latinx, Latinas, we’re already part of this mainstream. And so that’s a big reason why I started the company, was to reinforce that message which I’ve always known but for some reason gets lost in the media landscape,” Dávila said. Dávila recounted times when he would be told that telling Latinx stories was “niche,” to which he responded by working hard to showcase Latinx stories and gain viewership. For example, of “Selena: The Series,” which was released in December 2020 and concluded in May 2021, “We proved that when you work with Latinx creators on both the writing side, the directing side, the production side, you could have a huge global hit,” Dávila said. 

Dávila also spoke about combating Hollywood’s tendency to pigeonhole creators into one genre or role, especially creators from marginalized backgrounds. As a Mexican-American, he said, he’s often “put in a box” in terms of stories that he is expected to tell. “I don’t want to be pigeonholed as a Latino producer (who) can only produce Latino stuff, because oftentimes what that means is only immigration, or it means only border stories, when actually you could tell a sci-fi Latino story, you could tell an amazing litany of genres,” Dávila said. As a producer, he’s able to produce content in a wide variety of genres (including scripted, unscripted, and documentary) and showcase the diversity of Latinx experiences and stories. He is also currently working to expand the scope of Campanario Entertainment to include not just Latinx inclusion, but multicultural inclusion.

Dávila also noted that Campanario Entertainment can serve as a model for Hollywood executives and writers who want to center the stories and experiences of marginalized groups, but may not know where to start. “It’s a really great time in Hollywood right now because finally, Hollywood is wanting authentic voices to tell these stories, and I think oftentimes beforehand it was, oh, we’re going to tell diverse stories but we don’t need to work with the members of that community,” Dávila said. Now, however, he is able to showcase these stories and direct executives to Latinx creators and other creators from marginalized communities. 

Dávila discussed how the COVID-19 pandemic had impacted Hollywood and Campanario Entertainment. Although the pandemic had been a “big shock to the Hollywood ecosystem,” causing production of Selena: The Series to be shut down for five months, Dávila also said that one positive aspect of the pandemic was that, as a result, Hollywood was more focused on creating healthier and safer work environments on-set. Campanario Entertainment produced two productions during the pandemic. 

Lastly, Dávila advised aspiring filmmakers and producers to start creating work, especially with the advantage of easily-accessible technologies such as iPhones, YouTube, and TikTok. Dávila noted that, with these online platforms, creators are now able to bypass the gatekeepers that traditionally governed the film and media industry. “Start making your films now, start making those mistakes now, so that you get better and better. Don’t wait for someone to give you the opportunity, you have to take it yourself,” Dávila said.

Author Sophie Kim is an award-winning playwright, performance poet, filmmaker, and author of the poetry collection, SING THE BIRDS HOME (2019, Penmanship Books). Kim served as the 2018-2019 Los Angeles County Youth Poet Laureate, and is the co-lyricist/librettist of THE FORTUNATES, an original musical that premiered at Harvard College in April 2021. Kim has worked on multiple theater productions at Harvard. Find Kim at
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