David Eilenberg AB '97 (President, ITV Entertainment)
By Sara Lynne Wright
David Eilenberg AB '97, the new President of ITV Entertainment, who has developed and produced such groundbreaking shows as The Apprentice and Shark Tank, loves how working in reality television forces him to come face-to-face with real world events on a daily basis.
“In general, the entertainment industry makes it very easy to spend lots of time cloistered. In nonfiction, you’re interacting with your subjects every single day, which I find exhilarating.” Beyond that, the shows David works on can immediately and tangibly affect the lives of their subjects.
A case in point is Cold Justice, a show David oversaw on TNT, produced by Dick Wolf and Magical Elves. “The unique thing about that project was it was a real life cold case series, in which episodes really helped open murder cases that had gone unsolved and in some instances helped local police solve them. There are criminals now behind bars and families who got resolution as a result of that show existing. And that’s an amazing thing to be a part of.”
David H. Mandel AB '92 (Showrunner, Veep)
By D. Dona Le
“I didn’t know you could even be a comedy writer,” says David H. Mandel AB '92. “In terms of trying to engage the entertainment industry, I thought maybe I would be a lawyer, so I could be an entertainment lawyer.”
To the great relief of comedy lovers, Mandel escaped the practical clutches of a legal career. He’s currently the showrunner of HBO’s Emmy-winning Veep, and his credits include some of the top comedies of all time: Saturday Night Live, Seinfeld, and Curb Your Enthusiasm. He also co-wrote features The Dictator (2012) and EuroTrip (2004) with fellow Harvardians and frequent writing partners Jeff Schaffer AB '91 and Alec Berg AB '91.
Anne Fulenwider '95 (Editor-in-Chief, Marie Claire)
by Dayna Wilkinson
What do Harvey Weinstein, Fashion Week and SXSW have in common? Add NFL commissioner Roger Goodell and Ivanka Trump to the mix, and the mind boggles—until you realize you’ve entered Anne Fulenwider’s world.
As Editor-in-Chief of Marie Claire, Anne oversees all content for Marie Claire’s print magazine, website, tablet editions and brand extensions, including the partnership with Lifetime Television’s Project Runway.
“Writing was always the easiest and most natural way to express myself,” she says. “I interned at a Rhode Island magazine at sixteen and was editor of my high school newspaper. But I didn’t enter Harvard knowing what I wanted to do. My sense at the time was that other people were there because they were interested in one particular thing. I spent freshman year searching for what that one thing for me might be.
Dan O'Keefe '90 (Writer and Producer, The Tonight Show with Jay Leno,
The Drew Carey Show, Seinfeld, The League, Silicon Valley)
by Nicole Torres
Originally from New York City, Dan O’Keefe grew up in a writing family. Both his parents were writers; his mother was an English teacher and his father an editor for Reader’s Digest. He was not allowed to watch television growing up, but he humorously recalls, “I was allowed to swear as long as it was grammatical.” His two younger brothers are writers as well, and all three of the O’Keefe brothers have enjoyed successful careers writing for either Hollywood or Broadway.
While he has enjoyed substantial success as both a writer and producer, his path toward a writing career was not always so clear. “For a long time I wanted to be an actor. I actually trained for years and years, and they didn’t have a major at Harvard, and I was thinking, ‘No one in this place is ever going to make it as an actor.’ And then, of course, Mira Sorvino, Donal Logue, and Matt Damon [did].”
Kurt Crowley '06 (Associate Conductor, Hamilton)
by Kristen Strezo
Kurt Crowley AB ’06 remembers one of the first times he felt the life of Leonard Bernstein collided with his. Crowley was an undergrad cleaning Eliot House on dorm crew when he discovered a small staircase and a sign that read ‘to tower and music room’.
Crowley’s interest piqued. He was studying music and comparative religion at Harvard. So, he did what any music student would do. He dropped his broom and climbed the small staircase.
Upstairs, he discovered a demure room with gratuitous sunlight, a baby grand piano and a picturesque view. Crowley walked to the piano. He hovered over it. He played the first tune that popped into his head. It was “Mambo” from West Side Story. Then, he headed back down the stairs.
Karen Olsson '95 (Journalist & Novelist, All the Houses)
by Dayna Wilkinson
Helen isn't getting anywhere in L.A. She's trying to write screenplays, but her ideas aren't great (even in her own opinion), and no one is interested in her work.
That’s how one reviewer described Helen Atherton, the protagonist of Karen Olsson’s new novel, All the Houses.
“I started with a 16 year old character named Nina, but Helen’s voice became more important,” says Karen. “Part of what keeps fiction writing alive for me is its unpredictability. Once I found Helen’s voice and decided on the backdrop of a political scandal, the story fell into place.”
Jack Riccobono '03 (Writer & Director, The Seventh Fire)
by Sara Lynne Wright
Filmmaker Jack Riccobono’s first piece of advice to anyone who wants to make independent film is to find collaborators you can trust. His longstanding industry relationships, many of which go back more than thirteen years to his time at Harvard, show he’s followed his own advice.
THE SEVENTH FIRE, a feature documentary he directed/shot/produced that is slated for a May 2016 theatrical release, follows Native American gang members embroiled in the drug trade on the White Earth Indian Reservation in Minnesota. While this nuanced portrait of a rarely seen part of America feels very far from the hallowed halls of the Ivy League, the film’s list of credits has Harvard all over it.
Johnny Lee '01 (Violinist, Los Angeles Philharmonic)
by D. Dona Le
At the age of 5, Cleveland native Johnny Lee AB ’01 jumped at the chance to begin playing the violin so he could emulate his older twin brothers (photo to the right by Craig Mathew/Mathew Imaging, courtesy of the LA Philharmonic).
“I wanted to play violin from the onset. My brothers didn’t. They do other things now,” Lee laughs, “and I stuck with it—but it was kind of a convoluted journey to it.”
That journey included the Cleveland Institute of Music (the pre-college and graduate-level programs), Harvard College in between, several orchestras and numerous music festivals, and then—since 2005—a coveted job with the Los Angeles Philharmonic.
Couper Samuelson '02 (President of Feature Production, Blumhouse Productions)
by Terence O'Toole Murnin
A TALL MAN RISES IN STATURE: The “Harvard Mafia” is alive and well in Hollywood with Couper Samuelson producing a new paradigm for art and commerce to coexist on the silver (really any) screen
William Couper Samuelson is a human dynamo, and with all respects to the late, great James Brown, the very tall (6’6”) producer may have just snatched the title as the “hardest working man in show business” and claimed it for himself. Known for such hits as the Academy Award-nominated WHIPLASH, WE OWN THE NIGHT, and THE GIFT, the lanky livewire has no less than five films already set for release in 2016, including HUSH, AMITYVILLE: THE WAKENING, DELIRIUM, 6 MIRANDA DRIVE, and THE PURGE 3.
Our interview is a fit of stops and starts. Calls and deadlines — and details — and a dinner to attend this evening. At last, he’s ready and it’s easy to see why the man has charmed his way into the upper echelons of Hollywood with a combination of brains, luck, pluck and networking savvy extraordinaire.
Alan Yang '02 (Writer & Executive Producer, Master of None, Parks & Recreation)
by Sara Lynne Wright
Master of None, the upcoming Netflix series co-created by Alan Yang and Aziz Ansari, is the most autobiographical show Alan’s ever worked on. “I always wanted to do stories that were universal. So I didn’t want to write a show people could categorize as an Asian show. But I think the lesson you learn over and over again – and I’m not claiming to know anything about writing - is that the universality you’re looking for is in the specificity of your experience.”
Alan’s refusal to claim he knows anything about writing reads like a joke, but he’s serious. He’s that humble. This humility, along with his evident and uncommon talent, must have helped him work his way up from staff writer to co-executive producer on Parks and Recreation over the seven seasons of the show. Before that he wrote for South Park and Last Call With Carson Daly.